
ABOUT GENEVIEVE
Genevieve Sage is a writer, comedian, and creative storyteller specializing in comedy-infused narratives for screen, stage, and publication. She is a regular features contributor to Another Jane Pratt Thing—the latest venture from the legendary editor behind Sassy and JANE—where her essays blend sharp humor with emotional insight.
With a background in TV/film writing, sketch comedy, and live storytelling (Portlandia, Leverage, Risk!, Get Mortified), Genevieve brings a smart, distinctive voice to everything she creates. Her work spans screenplays, satire, and personal essays that explore the absurd and tender sides of life.
Her scripts and pitches have been presented to major production companies and networks, including Netflix and Broadway Video. One pilot she co-wrote was under exclusivity with Warner Brothers. She is represented by Q6 Talent (Portland) and managed by Artists First (Los Angeles)
By day, she teaches acting—mentoring serious performers in scene work, comedic timing, and audition prep. By night, she’s probably writing a sci-fi feature, workshopping a one-woman show, or dining out at a 9-course tasting menu with a wine pairing that costs more than her rent—because balance is everything.
Genevieve Sage is a writer, comedian, and creative storyteller specializing in comedy-infused narratives for screen, stage, and publication. She is a regular features contributor to Another Jane Pratt Thing—the latest venture from the legendary editor behind Sassy and JANE—where her essays blend sharp humor with emotional insight.
With a background in TV/film writing, sketch comedy, and live storytelling (Portlandia, Leverage, Risk!, Get Mortified), Genevieve brings a smart, distinctive voice to everything she creates. Her work spans screenplays, satire, and personal essays that explore the absurd and tender sides of life.
Her scripts and pitches have been presented to major production companies and networks, including Netflix and Broadway Video. One pilot she co-wrote was under exclusivity with Warner Brothers. She is represented by Q6 Talent (Portland) and managed by Artists First (Los Angeles)
By day, she teaches acting—mentoring serious performers in scene work, comedic timing, and audition prep. By night, she’s probably writing a sci-fi feature, workshopping a one-woman show, or dining out at a 9-course tasting menu with a wine pairing that costs more than her rent—because balance is everything.